Hit for the wacky title song sung by Tom Jones). Had given Bacharach his fi rst chance to write a complete fi lm score, with theĬomedy What’s New, Pussycat? in 1965 (yielding, not incidentally, a top-fi ve Songs before (including “Wives and Lovers” and “Alfi e”), it was Feldman who Vesper Lynd (Ursula Andress) begins her seduction of Evelyn Tremble (Peter Sellers) while “The Look of Love” plays in the background of Casino Royale Over,” “Anyone Who Had a Heart” and “Walk on By”-were Feldman’s fi rstĬhoice for songs and score for Casino Royale.
London, cowboys and Indians dropping out of the sky, threats of biologicalīurt Bacharach and Hal David-the brilliant songwriters who had alreadyĮnjoyed huge success in the pop market with such hits as “Don’t Make Me Of Bond and Mata Hari! By the end of the movie there are fl ying saucers over Villain, and Andress is a millionaire ex-spy. Welles is Le Chiffre, Allen one “Jimmy Bond” who turns out to be the real James Bond who is summoned back to duty Sellers plays a baccarat expert, The “plot” is virtually incomprehensible: Niven plays a retired, knighted
